Violinist, Edwin Huizinga is pushing the limits of violin playing. His career has taken him all over the world, from pubs in Ireland, to the chapel at Versailles. Here you will hear stories of his adventures, and how he has created such a versatile and fulfilling career.
Performing both baroque and modern repertoire, Canadian violinist Edwin Huizinga has appeared alongside Yo-Yo Ma, Itzhak Perlman, Dawn Upshaw, Mike Marshall, and Stevie Wonder, and has been featured as a soloist with the San Bernardino Symphony, the Sweetwater Music Festival, the Trinity Alps Chamber Music Festival, and the Banff Summer Arts Festival. Edwin is a founding member of the baroque ensemble ACRONYM which has released six full-length albums of previously unknown and unrecorded baroque music. Edwin also performs all over the world with Tafelmusik Baroque Orchestra.
As a modern violinist, Edwin has performed in the US and Germany with The Knights NYC, and occasionally works with A Far Cry. Edwin is also a member of the Juno-nominated indie rock band The Wooden Sky, and has recently been commissioned to write a piece for Canada’s 150th anniversary. He is a founding member of the Classical Revolution–an organization dedicated to shaping the future of concerts and jam sessions in alternative locations around the world–and serves as Artistic Director of the Big Sur Music Camp.
I was born and raised on a farm just outside of Guelph, in Puslinch, Ontario. When I was five years old my mom encouraged me to start playing violin. I started my training at the Guelph Suzuki String School with Linda Drennan. At the age of fourteen I began what I thought was a huge commute, to the big city of Toronto! There I began studying with one of my biggest mentors, the legendary Markus Furious, otherwise known as Mark Fewer. This was part of the Young Artist Performance Academy of the Royal Conservatory of Music in Toronto. This program lasted my whole high school career, and got me out of most of my classes on Fridays which, as some of you can imagine, was amazing.
For college, I ended up heading to Oberlin, Ohio, and spent four years studying with some unbelievable teachers. Marilyn McDonald, Ole Bohn, Karen Ritscher, Roger Chase, Derrett Adkins, Gregory Fulkerson, and more. I met some incredible people during this time, and am still collaborating with so many of them – it is awesome. Oberlin really has a world community which is awesome. Oberlin introduced me to some incredible orchestral experiences, and it’s where I first met James Gaffigan and Simon Rattle, and others who have now become friends. Recently (April 2013) James Gaffigan joined me in a big Classical Revolution experience in Toronto that I named Club Symphony. I also got the chance to tour and teach all over Panama with a great quartet, and tour China with the Oberlin Orchestra. Oberlin also fostered my initial interest and love for baroque violin… thanks Marilyn! I also met some awesome players and enjoyed going to the Baroque Performance Institute one summer, something I would highly encourage everyone interested in pursuing even a vague interest in baroque performance to go to.
From 2006 – 2008 I attended the San Francisco Conservatory of Music, graduating with a Master’s degree in violin performance. At the Conservatory I had the opportunity be concertmaster of both the baroque and main orchestras for several concerts, as well as become immersed in the conservatories very focused chamber music program. I had the incredible opportunity to work with Axel Strauss, Ian Swenson, John Adams, Michael Tilson Thomas, Corey Jamason, Elizabeth Bloomenstock, Andrew Mogrelia, and many more amazing musicians!
One of the most serendipitous moments of my time in San Francisco actually came during my audition when I met my good friend and colleague Charith Premawardhana. As we were standing outside in the gorgeous California sunshine we began talking about how amazing chamber music is, and how we both desperately wanted to share it with the entire world… well, when I moved to San Francisco in the fall we dedicated every single Sunday evening to performing chamber music at a bar on the corner of 22nd andVvelencia called the Revolution Café. There lies the birth of Classical Revolution.
At the moment, I call Toronto my home, although anyone that knows me well might nickname me a wandering minstrel. I have been traveling a lot the last few years performing with baroque, folk, rock, contemporary, classical, improvising, jazz, and celtic musicians from all over the world.